I am going to assume the video is an AI dramatization of torture by magnifying glass. It could be real but its source is unknown. The photo above which resembles the video is in the Epstein justice files here. We know stuff even much worse than this happened, so I believe it’s right to post this. ABN
I’ve been watching the saga of Amelia from the far side of the Atlantic in a state of utter bemusement.
For those who don’t know the first act of the saga, the British government had some collection of flacks create a video game for British kids, which was designed to elicit “racist” (that is, patriotic and un-woke) statements from them — at which point the kids who fell for it would be reported to the police for, erm, reeducation. (I wish I was making this up.)
Amelia was a cartoon figure who was supposed to mouth allegedly racist slogans, and they gave her violet hair because they thought that would annoy right-wingers, who make jokes about women with dyed hair.
Ponder the immeasurable stupidity of the flacks who put nationalist and patriotic slogans in the mouth of the kind of cute female figure who would have most teenage boys reaching into their trousers on the spot. Of course these same teenage boys instantly hijacked her and turned her into a mascot, just as they did with Kek back in the day. Of course these same teenage boys, being far more computer-skilled than government flacks, started doing LLM-generated videos of Amelia speaking out in favor of nationalist and patriotic ideas.
Of course everybody in Britain who’s sick and tired of the Starmer government and its woke doctrines embraced Amelia as their latest heroine, not least because the Guardian’s foam-flecked fury when she’s mentioned is so entertaining to watch…
Green, derived from the Hebrew yarok (יָרֹק), is deeply rooted in Jewish texts as a symbol of life, vegetation, and renewal. It appears in the Torah in reference to grass (yerek, יֶרֶק) and pasture (Job 39:8), emphasizing sustenance and divine provision. The color is linked to the primordial state of tohu (chaos) before creation, described in the Gemara (Chagigah) as marked by a green line, representing the world’s initial, unformed potential. This ties into the Kabbalistic concept of Ohr HaMakif (enveloping light), where green symbolizes transcendent renewal and spiritual insight.
Kabbalistic and Mystical Interpretations
In Kabbalah, green is associated with balance and harmony. It is seen as a synthesis of red (passion, justice), white (mercy, purity), and azure (wisdom), reflecting the integration of divine attributes. Rabbi Isaac Arama (15th century) interpreted green as the middle path between extremes, aligning with the ethical principle of moderation in character development. This idea resonates with the broader Jewish value of shvil ha-zahav (the golden mean).
Modern National Symbolism
Since the October 7, 2023, attacks, the green uniform of the IDF has become a powerful unifying symbol for Jews worldwide. Unlike the ornate garments of the Kohen Gadol, the IDF’s practical green fatigues represent resilience, sacrifice, and national solidarity. This shift reflects a transformation in Jewish identity—from ancient priestly glory to contemporary collective defense and hope.
Cultural and Linguistic Notes
The phrase “green with envy” appears in the story of Joseph, whose brothers’ jealousy over his “coat of many colors” led to his betrayal—symbolizing how unchecked emotion can distort moral vision.
In Talmudic literature, green (yarok) also describes bodily fluids and mold (Leviticus 13:49), linking it to both life and decay, underscoring its dual nature.
The green body of The Hulk is not intentionally symbolic of Jewish identity, but the character has been interpreted through a Jewish lens due to his creators and thematic parallels.
Creator Background: Stan Lee (born Stanley Lieber) and Jack Kirby (Jacob Kurtzberg), both Jewish, co-created The Hulk in 1962. While Lee did not overtly inject Jewish themes into his work, he explicitly compared The Hulk to the Golem—a clay protector from Jewish folklore—highlighting a subconscious cultural resonance. The Hulk, like the Golem, is a powerful, misunderstood being created through science (radiation) rather than magic, embodying both strength and vulnerability.
Color Choice: The Hulk was originally intended to be gray, but due to printing difficulties, the color shifted to green in the second issue. This practical decision, not symbolic intent, established the character’s iconic look.
Metaphorical Interpretations: Some writers and fans interpret The Hulk as a Jewish allegory—a figure of exile, inner turmoil, and defensive power. Articles such as “Hulk the Jew” draw parallels between Bruce Banner’s struggle to suppress his alter ego and Israel’s defensive posture in the world: peaceful by nature but feared when provoked.
Jewish Roles in Star Trek
Key Jewish Creators and Actors
Leonard Nimoy (Spock) and William Shatner (Kirk), both sons of Ukrainian Jewish immigrants, brought their cultural experiences to the show. Nimoy explicitly linked Spock’s outsider status to the Jewish diaspora experience—logical, reserved, and different.
Walter Koenig (Chekov) is also Jewish, making three of the original bridge officers played by Jewish actors.
The Vulcan Salute: A Jewish Symbol
Nimoy based Spock’s iconic “Live long and prosper” hand gesture on the Kohen’s blessing (Birkat Kohanim) from Jewish tradition. The two-fingered V-shape mirrors the Hebrew letter shin (ש), symbolizing Shaddai (Almighty God). Though modified for television, the salute is widely recognized as rooted in Judaism.
American Buddhist Net 