
“The Welcome Guest” (2011), a silicone sculpture by Patricia Piccinini depicting a bald, elf-like humanoid embracing a young girl amid a bedroom scene with a peacock, evoking unease and tying into claims of elite fascination with disturbing imagery.
Tony Podesta’s collection of Piccinini’s and similar works as evidence of normalized depravity, contrasting mainstream dismissals of Pizzagate as baseless with persistent suspicions fueled by Epstein case parallels.
__________
Many, including me, are seeing many connections between Epstein and Pizzagate. ABN

